Gordon Bennett: Be Polite - Galleries West Mayer, M. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Special Collections Reading Room - Item/s may be unavailable, Brolgas at twilight, 1999 / Pamela Griffith, [Australian diaries and desk calendars 1999]. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia. See opening hours 6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. Bennett's view of a shared cultural and lived-experiences led to his 'Notes to Basquiat' series (1998-2002), inspired by the work of American artist Jean-Michel Basquiat (1960-88). of different experience and layers that make us the individuals we are Open from 12 noon Anzac Day Closed Good Friday, Christmas Day and Boxing Day, Queensland Art Gallery Board of Trustees 2023, See Kelly Gellatly, Citizen in the making: The art of Gordon Bennett, in, Stanley Place, South Brisbane, Queensland 4101 Australia. Others are held in regional, state and national collections (National Gallery of Australia, Queensland Art Gallery and Gallery of Modern Art, National Gallery of Victoria and the Art Gallery of New South Wales) as well as international collections including Wereldmuseum, Rotterdam.LUCIE REEVES-SMITH, Important Australian + International Fine Art, Gordon Bennett, managed by John Citizen Arts Pty Ltd. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. Notes to Basquiat: Kwijibo 1998 Galtung, J. NOTES TO BASQUIAT: MODERNITY, 1999 | Deutscher and Hackett Bennett died in 2014, aged 58. revealed. Art, Australian -- 20th century -- Pictorial works. Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. and the histories of shared experience and levels we can relate to each inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. author unknown. Notes to Basquiat, 1999 Synthetic polymer paint on linen . Georges Petitjean, Kitty Zijlmans and Ian McLean, Outsider/insider: the art of Gordon Bennett, Ghent, 2012, 50 (colour illus.). A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. Abstraction (Citizen) 2011 Provenance. This citation of Basquiat's work acts for Bennett as a mode of communication with the American artist who died in 1988. Unfinished Business: The Art of Gordon Bennett - Art Almanac The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. The diversity of Bennetts work is another striking feature. We respectfully advise Aboriginal and Torres Strait Islander peoples that this site may include images, or intellectual property, that may be of a sensitive nature. Cultural Violence, Journal of Peace Research, vol.27 (3), 291-305. Gordon Bennett. Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennett's highly sophisticated mimicry of Basquiat's spontaneous urban style. Closed Good Friday & Christmas day Gordon Bennett, Notes to Basquiat: Facial Bones, 1999, acylic on canvas, 51 x 51 cm Courtesy Sherman Galleries, Sydney. His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. Five things to know about Gordon Bennett | Tate Bennett has reinterpreted their statement as a comment on the government's lack of apology to the Stolen Generations. Yours Sincerely, . Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Open daily Apologies -- Australia -- Pictorial works. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. (1990). Haptic Painting (Explorer: The Inland Sea) 1993 Synthetic polymer paint on canvas / 177 x 265cm The Estate of Gordon Bennett, Collection: Commonwealth Bank of Australia, Gordon Bennett Australia 1955-2014. on exhibition catalogue front cover), Aulich, A., Visual Arts, The Melbourne Review, Melbourne, issue 21, July 2013, pp. Eccles, J. Synthetic polymer paint on linen / 183 x 152.3 x 3.2cm, The Estate of Gordon Bennett Private Collection, Adelaide, Gordon Bennett Australia 1955-2014. University of Wollongong Research Online Lot 5: GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT - Invaluable The visually complex and layered works challenge received accounts of Australian colonial history. Its His paintings are not expressionist. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National Read more: This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. Search the catalogue for collection items held by the National Library of Australia. His three paintings titled. Both series used a conspicuous sampling of other artists work, re-contextualising these images into symbols of the wider exclusion and disenfranchisement of indigenous peoples. View upcoming auction estimates and receive personalized email alerts for the artists you follow. Notes to Basquiat - Big Shoes - Cooee Art within, the narratives of the past.". Notes to Basquiat:(ab)Original 1998 Aboriginal Australians -- Politics and government. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. 152.0 x 188.5 cm. In Australia, he would be placed in dialogue with key postmodernist artists such as Imants Tillers, Tracey Moffatt, and Juan Davila. Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. His playful yet powerfully political artworks borrow images from other artists and mix and re-contextualise elements from Western and non-Western art history. At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. As Jill Bennett elucidates, Bennett does not simply imitate or act as Basquiat [Rather] he is interested in how Basquiats work might be encountered from a different place, and what happens when different accounts of history and experience are registered simultaneously within a given frame2, Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennetts highly sophisticated mimicry of Basquiats spontaneous urban style. Bennett is commenting on the devastating effects of colonialisation on Australias indigenous population. signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiats own art. Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Gordon Bennett | NGV Of course, this price has nothing to do with the top prices that other . Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). Anchoring the composition is a confronting tortured skeletal figure . Notes to Basquiat was named for the American Jean-Michel Basquiat (196088), a precocious young artist of Puerto Rican and Haitian-American heritage, originally a graffiti artist, whose star flamed brightly in the energetic international art world of the 1980s; Perfect teeth riffs on Basquiats own paintings. of the past, which is waiting to be found, and which, when found, will Bennett emerges as one of the most important Australian artists of the latter part of the 20th century and one we have certainly not finished interpreting. synthetic polymer paint on canvas. The first African American artist to be internationally acclaimed, he was in many ways a model of the exotic success favoured in the rapacious celebrity stakes of the New York art world as much for his ethnic origins and youthful beauty as for his undoubted talent. Estimate: $80,000 - $100,000. Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. Synthetic polymer paint on paper Born in 1955 in Monto, Queensland, Bennett was unaware of his mother's . Estimate: $40,000 - 50,000. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. Selected new items on display in Main Reading Room. Signed and dated u.l. Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. signed, dated and inscribed verso upper left: G.Bennett 9-6-2000 / Notes to Basquiat: Liberty / acrylic / 152 x 188cm. Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett 1999, Bennett, Gordon. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the authors attitude or that of the period in which the item was created and may now be considered offensive. your book, a reference to Stuart Hall which I have included in my own Unfinished Business can be seen until 21 March 2021. The Estate of Gordon Bennett Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. His intention in the Notes to Basquiat series is to 'highlight the similarities and cross-connections of our shared experience as human beings living in separate worlds that each seek to exclude, objectify and dehumanise the black body and person'. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. Written just three years after Bennett graduated from art school as a mature aged student, it gives a very clear sense of his early ambition and political purpose. Review: Unfinished Business: The art of Gordon Bennett, QAGOMA, Brisbane. ), Notes to Basquiat (In The Future Art Will Not Be Boring), 1999, collection of the Art Gallery of New South Wales, SydneyNotes to Basquiat (In the future everything will be as certain as it used to be) 1999, collection of The Wereldmuseum, RotterdamNotes to Basquiat: Double vision, 2000, collection of the National Gallery of Victoria, MelbourneNotes to Basquiat: Poet and muse, 2000, collection of the National Gallery of Victoria, Melbourne. I was excited to find in the essay "Welcome to the Terrordome: Jean 11, Paris, Nov 2013-Dec 2013, 11 (colour illus.). This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . Gordon Bennett. By peeling Est: AUD30 - AUD50. Quoting the raw graffiti expressionism of Philip Guston and Jean-Michel Basquiat, Bennett identifies a more authentic form of modernist painting, intimately connected to notions of race, ancestry and nation scrawled in lists close-by.Playing with the flatness of the picture plane so exalted by Modernist theory, Bennetts layers of text and appropriated images jostle for prominence.

James Mccarthy Actor, Carrie Jolly Emory, My Total Health Lvhn Login, What Is The Speaker Referring To In These Lines?, Cuanto Cuesta Arreglar Una Rueda Pinchada Chile, Articles G